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If you appreciate a virtuoso, you’ll
love Daniel Greene. Line, perspective, texture — all are
nearly flawless in his work. There is in fact, so much beauty
in these paintings that one has to remind oneself that Greene’s
subject is, after all, the New York City subway system. It is
more in what he does with his raw subject matter rather than
how he puts it on the canvas that makes Greene the consummate
artist he is. — Art Times critic, Raymond Steiner
For centuries, artists, including Dürer, Rembrandt, Blake,
and Goya have chosen to offer their work to collectors in the
form of multiples, utilizing the best technologies available
at the time. In the past few decades, a new system has appeared
which is widely favored, employing very sensitive digital scanning
of the artist’s imagery, combined with stochastic printing
and very durable pigmented inks.
Fine new printing devices capture the most subtle nuances of
the artist’s image on archival paper or canvas, avoiding
unsightly dot patterns and engendering works which resist fading
just as well as oil paintings and watercolors. The result yields
works which amazingly maintain the aura of the originals on
which they are based. |
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© Daniel
E. Greene |
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